Numero 5 - 2018

Indice

• Articolo
  Introduction. Writing <–> Technology. Composers 1973-1983
  Giacomo Albert, Andrea Valle
  DOI 10.12871/9788833395371 Pagine: 7-12
• Articolo
  The Politics of Poetry. Piano Hero (2011/2017) by Stefan Prins
  Anne Holzmüller
  DOI 10.12871/9788833395372 Pagine: 13-32
• Articolo
  Living things: Sound and Physical Presence as Measures of Musical Agency and Immersion in Apophänie by Rama Gottfried
  Johannes Bernet
  DOI 10.12871/9788833395373 Pagine: 33-51
• Articolo
  Automata in extremis: Mauro Lanza’s sublime sound machines
  Amy Bauer
  DOI 10.12871/9788833395374 Pagine: 53-94
• Articolo
  «Expanded music»: the technological extension of body and instrument in Simon Steen-Andersen’s Piano Concerto (2013/14)
  Stefan Drees
  DOI 10.12871/9788833395375 Pagine: 95-117
• Articolo
  Transmedial Aesthetics and Mimetic Models in the Music of Panayiotis Kokoras
  Landon Morrison
  DOI 10.12871/9788833395376 Pagine: 119-139
• Articolo
  Staging Technology – Composing with and within Digital Everyday Life
  Fabian Czolbe
  DOI 10.12871/9788833395377 Pagine: 141-161