Numero 7 - 2020

Indice

• Articolo
  Timbre, gesture, communication and musical meaning in some recent works by Ondřej Adámek
  Carlo Benzi
  DOI 10.12871/97888333972141 Pagine: 7-30
• Articolo
  Extended: An Introduction to the Work of Ashley Fure
  Ross Feller
  DOI 10.12871/97888333972142 Pagine: 31-40
• Articolo
  Performing computer music: the case of Ryan Carter’s Trying to Connect
  Paolo Zavagna
  DOI 10.12871/97888333972143 Pagine: 41-66
• Articolo
  Andrea Agostini, gli atomi che si accendevano e radiavano,
  for barytone saxophone and live electronics: from the neutral to the poietic level
  Fabio De Sanctis De Benedictis
  DOI 10.12871/97888333972144 Pagine: 67-90
• Articolo
  Marina Khorkova’s Compositional Practices: Research, Language, Techniques
  Luca Guidarini
  DOI 10.12871/97888333972145 Pagine: 91-122
• Articolo
  Reverse engineering of a semiotic machine.
  On Dmitri Kourliandski’s dasein 1&2 (To Say Nothing of III)
  Andrea Valle
  DOI 10.12871/97888333972146 Pagine: 123-146
• Articolo
  Technology between performance and multimedia: an interview with Sarah Nemtsov
  Giacomo Albert
  DOI 10.12871/97888333972147 Pagine: 147-160
• Articolo
  The music of Vito Žuraj
  Luisa Antoni
  DOI 10.12871/97888333972148 Pagine: 161-176